I am really enjoying my return to Sauerbier House where I exhibited my last solo exhibition Filter in 2018.
The new exhibition Uprising was launched on Saturday 6 February 2021. The summer weather expected for the Opening was replaced with cooler conditions and the threat of rain. But it was great to have 80 people attend the event that also launched new work by Gilbert Roe.
This new work had been brewing for 18 months prior and influenced by a range of activities. I undertook a Mentorship with Che Chorley and spent time with him in the water in Darwin in August 2020. After a trip out onto the Great Barrier Reef in September I had a 2-week residency at the Tanks Arts Centre in Cairns. I then squeezed in a side trip to the National Sea Simulator and the Coral Core Collection at the Australian Institute of Marine Science (AIMS) in Townsville.
The exhibition will run until March 20th. Visit the Uprising exhibition page on this site former details. Artist Peter Drew was promoted as the Guest Opening Speaker, but had to cancel last minute due to COVID Quarrantine requirements. Unfortunately Peter has not been able to reschedule an alternate date during the exhibition.
The timing is right with this topic as 2021 signals the commencement of the United Nations Decade of Ocean Science for Sustainable Development. More about that here.
Special thanks to the Bowden Print Group and Prolab Imaging for their support of this exhibition.
Here is a preview of a new moving image work installed in the Wash House as part of the Uprising exhibition. Sea of People.
Not only has it been a surprise piece for those that have seen it is was also a surprise for me as it was developed very late in the project and was a considerable step away from the traditional series of photographic prints I had originally conceived.
I have had more questions about how this particular work was made then I have had about the photographs of objects mysteriously suspended in the ocean.
I won’t give away much more now while the exhibition is still open, but I will post some footage after the event if not the whole film. 4m 30sec.
The heritage qualities of the building limit what can be done in the space however it works well to host a simple rustic installation with a louder soundtrack away from the main exhibit.
At the launch of Uprising on Saturday 6 Feb there was such a warm response to this image I felt compelled to share it here along with the back story.
I met Gary at Fannie Bay, Darwin in August 2020. With the guidance and equipment on loan from my mentor Che Chorley, I took my first photographs in the ocean with a professional camera and housing.
It was calm and quiet. We had the beach and water to ourselves mid-afternoon, except one visual blemish. A small dark shape that hovered near the surface in any direction that I pointed the camera. I gave in trying to deceive Gary and chose to photograph the photo-bomber instead.
When you visit Sauerbier House to see the Uprising exhibition you can get up close to Gary adorning a window in the gallery.
/////////This event has happened. Thanks to all of those who participated. Please follow AusOcean for regular updates on their work and for similar opportunities.//////////
Come along and learn about the diverse projects that AusOcean is delivering in South Australia for marine conservation.
From their current Rapid Bay Underwater Live Stream Crowdfund to Oyster Reef Habitat Restoration and various marine health research projects at Carrickalinga and Kangaroo Island among others.
Following an introduction to the Uprising exhibition by Visual Artist Neville Cichon, AusOcean Marine Ecologist, Catherine Larkin, will explain a selection of their projects and the environmental challenges they address. There will be time for questions and the session will be followed by the opportunity for informal discussion about the work of AusOcean and the exhibition.
This is a free event, however due to capacity limits bookings are required via TryBooking.
Saturday 13 February 2021 2.00pm to 3.00pm Sauerbier House Culture Exchange 21 Wearing Street Port Noarlunga, South Australia
In September 2020 I was an Artist in Residence for two weeks with the Tanks Arts Centre, Cairns.
This provided me with an intensive period to concentrate on research to create new work for a solo exhibition in February 2021.
The Far North Queensland environment was a perfect match for the marine themed work. I also drove down to Townsville for a private tour of the National Sea Simulator and the Coral Core Collection at the Australian Institute of Marine Science (AIMS).
The Residency included hosting a schedule of Open Studio sessions and presenting an Artist Talk. Both at the in the Cairns Botanic Gardens Visitor Centre.
Schedule and more background listed below.
Artist Talk 10am to 11am Saturday 19 September, 2020 Cairns Botanic Gardens Visitor Centre Free. But please book due to COVID restrictions of 20 people.
The talk will start with a slideshow of a range of my landscape, nature and abstract photography and then focus on more recent series of work on Climate Change. Including the bushfires focussed Unleashing Hell and rising sea levels and coastal erosion from Filter. Concluding with an overview of new work in development on the human impact on marine ecosystems, questions and discussion.
Open Studio Cairns Botanic Gardens Visitor Centre 10am to 2pm (except Sunday 10am-1pm) Friday 18 September Saturday 19 September (including Artist Talk) Sunday 20 September Tuesday 22 September Thursday 24 September Friday 25 September Saturday 26 September Sunday 27 September (Tanks Market Day cancelled) Studio will close at 1pm
Outside of these times a static display and looping slide show will be open to the public 7 days per week during normal open hours of the Botanic Gardens Visitor Centre (8.30am to 4.00pm weekdays and 9.30am to 2.00pm weekends)
The focus of the residency is to develop new work on the human impact on marine ecosystems.
Pollution, overfishing, habitat loss and threats posed by climate change such as ocean acidification are just some of the human impacts confronting the health of the ocean and consequently, our future.
What messages do you think the ocean and its inhabitants would like to deliver to us as long overdue feedback about our actions? How are marine ecosystems coping with all of the challenges humans are throwing at them?
While working in the Studio I will be making props to photograph that convey some of these imagined messages, the voice of the ocean, and your input is welcome.
In the making since the second half of 2019, the plan has evolved into something far from my predictions.
When I originally approached Che Chorley about a mentorship he was living on the coast about 40km south of my home in Adelaide. However a work and lifestyle change came up that saw Che transfer 3,000kms north to Darwin.
The plan was to seek his support as I embarked on learning new skills and thrashing around ideas for a new work I am developing on the human impact on marine environments.
Timelines were impacted by the pandemic of course, but we adjusted. The plan was modified to have a mix of video call sessions along with a number of hands-on sessions over a short period in Darwin, August 2020.
I am really looking forward to getting in the water and spending time with Che and I will share some of the work in progress as I track towards the Feb 2021 launch of a new solo exhibition.
If you are not familiar with Che Chorley you may recall a story about an adventurous photographer who went on a expedition for over 5 months along the entire South Australian coastline (Land Sea You Me). Other spectacular work is made bobbing in the ocean.
Special thanks to the Helpmann Academy Elevate Mentorship Program for their funding support.
I had originally planned to travel to New Zealand in September 2020 to participate in the Mapping the Anthropocene Symposium presented by the Dunedin School of Art.
Adjusting for COVID-19 I am pleased that I am still able to tune into the sessions online and also have my Fire and Flood showcase displayed on a dedicated flat screen as part of The Complete Entanglement of Everything exhibition.
Mapping the Anthropocene in Ötepoti / Dunedin brings together mana whenua, artists, designers and architects, scientists and speakers from the environmental humanities to present a picture of where we are as we learn to live with and act in the changing environment some call the Anthropocene.
The term refers to the human-induced changes to our world’s systems. The hui is nested within an exhibition at theDunedin School of Art, Te Maru Pümanawa | College of Creative Practice and Enterprise.
The hui also reflects Dunedin School of Art’s 150th anniversary and its role within the cultural life of Ötepoti/Dunedin.Today’s world is troubling and confusing. Together we are entangled in an increasingly complex world thatchallenges our knowledge and our feelings. Artworks can help us to negotiate this complexity as they offer an alternative space to contemplate the global and the local, the self and the wider, collective world shared by human and non-human alike that is so increasingly affected by our actions.
The hui takes place over Saturday and Sunday, with a celebration of the exhibitions on Saturday evening. Allare welcome to the exhibition celebration, while registration is necessary for the conference presentations. Read more at https://artsymposium.op.ac.nz/
I am very happy that my photograph is a Finalist in the Adelaide Hills Landscape Arts Prize 2019.
I am looking forward to seeing the exhibition of all 40 or so Finalists in a variety of medium at the Opening Event Dec 1st at the Hahndorf Academy in the Adelaide Hills.
South Australian artists were invited to interpret their experience of the Adelaide Hills in ways that highlights and captures their awareness of its dynamic and diverse environment and landscape – natural, rural or urban – and its ever-changing seasons.
‘Sail right through me’ was taken in winter 2019 back where I grew up on the outskirts of Lobethal. In brief I was reminiscing on the still of night that was interrupted by cars. 40cmx60cm C-print on silver halide paper.
This Arts Prize was only launched in 2017 and is presented in alternate years to the biennial Heysen Prize for Landscape at the same venue. More details at the Hahndorf Academy website.
An Anthropocene Art Trail has been installed in conjunction with the R & M McGivern Prize at ArtSpace at Realm and Maroondah Federation Estate Gallery.
Six individual signal box artworks that respond to the theme ‘Anthropocene’ and are inspired by issues surrounding the environment, sustainability and climate change can be visited from 23 November 2019 to 1 February 2020.
I will be doing an artist talk on-site between 12pm and 1pm on Saturday 7 December. Come along for a chat and to also hear from two other artists, Vandal Hype and Carla Gottgens. Bookings and walking trail map links below.
The box I designed features objects I created and photographed for the ‘Unleashing Hell’ series. I also chose to include a newer work. ‘Hairific’ from the 2018 Filter series (visible in E-newsletter image above).
I will post some additional photographs in the week after the artist talk. Thanks now to Maroondah City Council for the preview images above.
A small archive of images and text from the Filter exhibition.
Diverse photographic methods combine to reflect the past, present and future of our changing coastal environment.
Artist in Residence Exhibition 22 September to 27 October 2018 Sauerbier House culture exchange 21 Wearing Street, Port Noarlunga.
Artist statement We often hear a lot of small numbers in relation to climate change. One degree temperature rise. One centimetre sea level rise. No cause for alarm surely? Seemingly so small, but how does this translate to our own backyard?
During this residency I learnt a little more about what these numbers mean and the projections for the future.
My art practice explores ways to bring an Australian perspective to the discussion on climate change. Far removed from the visuals of icebergs and polar bears, the beach is ingrained into Australian culture. These works signal the relationship between a global phenomenon and the host of our recreational or lifestyle desires.
My time as an artist in residence at Sauerbier House provided an opportunity to experiment with photography and its capacity to convey ideas about the challenges ahead. For example, studio photography can heighten our connection to objects while long exposure and abstract works encourage contemplation and wide ranging interpretations.
Works were created in response to information on climate change impacts sourced from specialist reports and experts on coastal management. Just as important were the hours, either during the day or under a full moon, experiencing the coastline in all weather conditions.
Sea levels rise with the melting of the ice caps. Warming oceans add to that rise through thermal expansion. This is a given for many people. Are we willing to see our idyllic beaches and coastal environment become a memory, rather than an experience accessible to future generations?
The Dark Room In addition to the work exhibited in the Hallway Gallery the small red brick Washhouse in the grounds of Sauerbier House was used for an installation.
Visitors to Sauerbier House during the residency were invited to consider climate change and write their thoughts anonymously about their brightest hopes and darkest fears. A thermal imaging camera was used to create portraits in collaboration with local volunteers.
Visitors to the exhibition of the 5 weeks were also invited to make their anonymous contributions and these will collated and examined to influence a future work.
Radio interviews Interviews with Radio Adelaide and ABC Radio Adelaide about the exhibition can be found here.
Supported by Arts South Australia, the City of Onkaparinga and the Helpmann Academy.
Special thanks to The City of Onkaparinga and their Sauerbier House Artist in residence program.
Jaynie Langford and all of the wonderful volunteers. Nina Keath and the Sustainability Team.
Suntrix Solar for the loan of the Thermal Imaging Camera and the volunteers who donated their time for portraits and those who contributed their darkest fears and brightest hopes.
Since 2015 the Human Impacts Institute in New York has hosted an annual series of events that showcase artists creating climate inspired performances, installations and exhibits.
In 2019 I will be exhibiting 2 works in the month long group show in Manhattan.
On Wednesday 6 November the Opening Event will feature multiple performances by participating artists as well as the Awards presentation. You won’t want to miss this kick-off event full of inspiring and innovative ways to address climate change from artists all over the world.
The 2019 Creative Climate Awards run from November 6th to December 4th weekdays 9am to 5pm at the Taipei Economic and Cultural Office 1 East 42nd Street New York, NY 10017
Congratulations to all of the other artists and, although I will not be able to attend, I look forward to following the unveiling of the wide variety of work throughout the exhibition.
The last day of the weeklong Conference on Communication and Environment (COCE) in Vancouver was for excursions.
I participated in the visit to the Vancouver Maritime Museum to have a special tour of the Making Waves: The Story and Legacy of Greenpeace Exhibit.
The added bonus was we were hosted by the curator of the exhibition as well as two seasoned campaign and communications experts with Greenpeace International.
It was inspiring to see how the organisation had grown from the early days of making and selling pins to fund campaigns to the reach they now have internationally.
Although not part of the Greenpeace exhibit, one image above was taken while on the deck of the St. Roch. It was the first vessel to sail the Northwest Passage from west to east (1940-1942), the first to complete the passage in one season (1944), and the first to circumnavigate North America.
On the deck were COCE delegates from Canada, USA and Estonia (and Australia holding the smartphone) with Jess and Soenke from Greenpeace International.
While in Los Angeles, after the conference in Vancouver, I had a full day planned for a special trip to Catalina Island, just off the coast of LA.
I was the guest of the University of Southern California Wrigley Marine Science Centre. I planned the visit over many months and was fortunate to have the Director, Kenneth Nealson available to escort me and give me a tour of the facility and the diverse initiatives.
About a 90min journey on the Miss Christi took as from San Pedro to the campus near Two Harbors. The arid conditions there have prompted a number of sustainability initiatives looking at water conservation and food waste management alongside the more ambitious Kelp Biofuel project.
I was pleasantly surprised at the wholistic approach to sustainability across the operation of the Centre and was pleased to hear of the large numbers of young people that engage with their programs every year.
Have a look at the links above to read more about the Centre.
The images in the gallery above a mixture taken either on a smartphone or using a toy camera with medium format film (lomography). The red flares are the result of unexpected light exposure to the film.
After COCE in Vancouver I planned a visit to LACMA (Los Angeles County Museum of Art) to have a close look at a selection of photographic Artists.
In the LACMA Study Centre for Photography and Works on Paper I had the privilege of having a very close look at works not on display by artists such as Ansel Adams, Ruth Bernhard, Paul Caponigro and Alan Delaney.