Prospect Portrait Prize

Need a hand, 2021, 1mx1m, pigment print.

I am super pleased to be selected as a finalist in the 11th Prospect Portrait Prize. Open to entries nationally, a shortlist of 34 entries will be on display at the Newmarch Gallery in Adelaide.

The longest running portrait prize in South Australia, the Prospect Portrait Prize is a non-acquisitive juried exhibition of contemporary portraits in any medium.

Opened on Friday 10 December 2021 and runs until 25 January 2022.

Artist statement

The generosity of my photographic mentor Che Chorley is as immense as the ocean he loves to photograph in. He repeatedly submerged for extended periods to simulate an object relevant to a photographic concept for ‘Uprising’ I was developing.

The encouragement and advice flowed as we travelled in his car, with his photographic equipment, to Fannie Bay and the waterholes of Litchfield National Park, Northern Territory. This image reminds me of his big-heartedness and our shared sense of humour.

Burrinja Climate Change Biennale

After a 5-year break the Burrinja Climate Change Biennale will be returning 3 December 2022 until 17 Feb 2023 with an Award Exhibition at the Burrinja Gallery.

I was a finalist in the last Biennale in 2017, and am very pleased to be able to exhibit there again.

From the scientific to the fantastic, the cultural to the creative, the Burrinja Climate Change Biennale brings together diverse voices, practices and perspectives to interrogate and speculate on the future we so desperately need.

I will be the only South Australian participating with over 40 artists spanning a range of art forms.

Bigger than ever, the Biennale will feature ‘Live Actions’ across the Yarra Ranges, A moving image program, and various exhibitions across multiple venues including Art Centre Warburton, Yarra Ranges Regional Museum and The Memo, Healesville.

Saturday 2 December, 2022
Burrinja Cultural Centre 
351 Glenfern Road, Upwey, Victoria

Climate Report, 2021. First exhibited in a solo exhibition ‘Uprising‘ at Sauerbier House Culture Exchange, SA.

Artwork statement
The ocean is a recreational playground for many Australians. Gazing, paddling, splashing, fishing.

The pleasure is on course to subside as we experience coastal erosion through rising sea levels and the loss of marine ecosystems through increased water temperatures.

Temperature is core to impacts like rising sea levels and the destabilisation of our future weather patterns.

‘Climate Report’ upends a symbol of our relaxed relationship with the ocean to become a dramatic indicator of current environmental changes happening slowly around us.

This artwork is just one from the ‘Uprising’ series. You can see more of the works on the Uprising exhibition page.

The Burrinja Climate Change Biennale is delivered in partnership with Yarra Ranges Council, Yarra Ranges Regional Museum, and Your Library.

Stobie Pole Project

Bringing art to the suburbs with the Stobie Pole Project – CityMag

Emerging artists make their mark using an SA icon – INreview

The Stobie Project Guide and Map – Meet the artists
MAP – Find the poles

Preview of development and installation

Post launch

The Stobie Pole Project promo image

(Photo of Dave Court by Che Chorley)More details at my Artist Facebook Page. I am very pleased to share that I am one of four South Australian emerging visual artists that have been selected to take part in the SA Power Networks Stobie Pole Project.

Orientation to the project commenced in May 2022 and the formal launch with Artist Talks etc are in October.

For an overview you can read more at the Helpmann Academy website.

What is a Stobie Pole? For those of you not from South Australia, they are Power Poles.

Map of stobie pole locations
Map of stobie poles to be used in the public art project to be installed in the western suburbs of Adelaide.
Stobie pole project


Climarte A call to Art

  • Climarte Poster Project Anthropocene you are here
  • Climarte Poster Project Circa 2030

The 3rd Poster Project by Climarte was launched in Melbourne on 26 February, 2022. Following an open call to artists to create an original poster design, 10 works were selected and pasted up around the streets of Melbourne.

An online gallery of shortlisted entries was also launched and you will find two of my poster designs there. See all entries.

Read more about the Forum/Launch event ‘Why a Call to Art’ and the Climarte Poster Projects on their website.

To harness the power of the Arts to communicate the Climate Emergency in all its manifestations to mobilise the public to demand immediate effective action; a transition to zero emissions and the drawing down of legacy carbon at emergency scale and speed, before 2030.

Dwarf Minke Whales

I will gradually add more images and information to this page once I get the chance to stop and review all of the footage.

If you are keen now to learn more about the Dwarf Minke Whales visit the Minke Whale Project that has been researching them for decades.

Some brief points

I sailed from Cairns overnight on July 15 and and spent a few days out along Ribbon Reef 9 and 10 before flying back to Cairns from Lizard Island on July 19, 2021.

My encounters adhered to the Code of Practice for dwarf minke whale interactions in the Great Barrier Reef World Heritage Area (read Code) and were supervised by a researcher with over 20 years experience with the whales.

The whales visit the northern Great Barrier Reef each winter and form the only known predictable aggregation of these whales in the world.

The whales control the interactions and often stayed for 2 hours or even many more.

They were first discovered in the 1980’s and are not yet formally described with very little know about them. They are currently regarded as a subspecies of the northern hemisphere minke Balaenoptera acutorostrata.

They usually grow to between 6 and 9 metres in length and weigh several tonnes.

A short preview of one of my encounters in mid-July 2021.

The Ocean was harmed during the making of this film

So this sounds familiar. We have all read something like this in the final credits of a movie.

To clarify things up front this is not a disclaimer for some particular incident that I, the filmmaker, was responsible for. It is about the big picture.

Originally released as a 2 channel video within the solo exhibition ‘Uprising’ at Sauerbier House, South Australia in February 2021 on two flat screens. This re-creation has been produced to share online and specifically for COCE2021 (Conference on Communication and Environment) hosted virtually in June 2021 by the International Environmental Communication Association (IECA).



Best viewed in full screen with sound. 2min16sec

Gold Coast Pro

I flew into a very grey and wet Coolangatta for the World Surf League Challenger Series Gold Coast Pro at Snapper Rocks.

I arrived on Day 3 of the event less than 2 hours before Kelly Slater was about to compete in his 2nd and last formal heat of the event. He wore the green top in that heat and just before sunset on Day 4 he wore the white top in the Legends Heat.

Bettylou Sakura Johnson at the Gold Coast Pro, Snapper Rocks, May 2022. Experimenting with long exposures to capture the motion of the athletes and ocean.

Some out takes from the grey days at Snapper Rocks, Gold Coast in May, 2022.

Midnight Oil We Resist Video

For the video clip to ‘We resist’ by Midnight Oil, they put a call out for people to submit images of protests.

One of my images is used in the video, and while at their concert at the Riverstage Brisbane in April 2022, I was able see it displayed as a backdrop to their performance of ‘We resist’ at the opening of the concert.

Lead singer Peter Garrett is up the back left, raising his arm.

It is bizarre to know that this image will now tour around the world with them as they travel to Canada, USA, NZ and Europe.

Midnight Oil We Resist VIDEO on YouTube

Midnight Oil Resist TOUR

March 4 Justice Gallery

PS Sorry about the quality of the smart phone shots

Festival of Climate Action

The School Strike 4 Climate Friday October 15, 2021 kicked off a long term project for me documenting climate protests. As we head towards Glasgow and a Federal election I expect ample opportunities to hit the streets with my camera.

A unique twist to this project is the collection of Placards from protests that I will use as part of an exhibition in late 2022.

I had a table in the square after the SS4C March for donations of unwanted placards to be made. Special thanks to the Festival of Climate Action for giving me a spot next to the Food Trucks.

There was a huge program of the Festival that followed through to Sunday afternoon.

For those visiting this website for the first time I am an Adelaide based Visual Artist who has produced three exhibitions previously on Climate Change themes ( bushfires 2017, coastal erosion 2018 and the human impact on marine environments 2021).

Look out for announcements about my location at future events or feel to send me an email to ClimateProtestArtATgmail.com

I am also happy to hear from people interested in working with me on the creation of behind the scenes photos of placard making sessions and/or interviews about your involvement in climate protests. Likewise just send me an email. My preferred timeline is anytime during late 2021 and the first half of 2022.

CCH Art Prize

92 year old Stanley has been eating an apple and a banana every day for as long as he can remember.

This image presents his typical annual consumption showing 729 pieces of fruit. Times that by just 10 or even 20 years and you get a staggering number that reflects his commitment to good nutrition that has contributed to his long, happy, healthy life.

I created this work in response to the Art Prize theme of Healing and I was very pleased to learn is was shortlisted as a Finalist to be exhibited amongst 40 works from over 400 entries received.

The exhibition has now closed but more details about the Centre for Creative Health and the Art Prize can be found at their website.

Annual consumption, 2021, 60cm x 60cm, Pigment print. Ed of 2 + AP.

March 4 Justice ADL

About 8,000 gathered in Adelaide to say Enough is Enough at the March 4 Justice rally on March 15 2021.

Here is a small selection of shots of the well organised, respectful, emotional and unfortunately necessary event. 

I am sure there will be more events like this in the future and most likely with larger numbers as the associated issues are cementing themselves as a front of mind for many and also the media.

Uprising 6 Feb to 20 March 2021

I really enjoyed my return to Sauerbier House where I exhibited my last solo exhibition Filter in 2018.

The new exhibition Uprising was launched on Saturday 6 February 2021.  The summer weather expected for the Opening was replaced with cooler conditions and the threat of rain. But it was great to have 80 people attend the event that also launched new work by Gilbert Roe.

This new work had been brewing for 18 months prior and influenced by a range of activities. I undertook a Mentorship with Che Chorley and spent time with him in the water in Darwin in August 2020. After a trip out onto the Great Barrier Reef in September I had a 2-week residency at the Tanks Arts Centre in Cairns. I then squeezed in a side trip to the National Sea Simulator and the Coral Core Collection at the Australian Institute of Marine Science (AIMS) in Townsville.

The exhibition ran until March 20th. Visit the Uprising exhibition page on this site for more details. Artist Peter Drew was promoted as the Guest Opening Speaker, but had to cancel last minute due to COVID Quarrantine requirements. Unfortunately Peter has not been able to reschedule an alternate date during the exhibition.

The timing is right with this topic as 2021 signals the commencement of the United Nations Decade of Ocean Science for Sustainable Development. More about that here.

Special thanks to the Bowden Print Group and Prolab Imaging for their support of this exhibition.



Adelaide Fringe logo

Sauerbier House Culture Exchange, 21 Wearing St, Port Noarlunga, South Australia.

Re-Mediating the Wild

This is the theme of COCE2021. The 16th Conference on Communication and Environment presented by the International Environmental Communication Association (IECA) online, June 21-24.

The conference brings together artists, practitioners, scholars, students and engaged citizens from around the world to discuss the state of communication related to environmental affairs.

The intent of this theme, Re-Mediating the Wild, is to bring attention to research and practical experience on how best to communicate for the sake of Wildlife and Wild places and address the ways in which communication and culture influence how humans value the Wild and perceive their relationships with the rest of Nature.

In 2019 the theme for the Conference in Vancouver was ‘Water’ and I was fortunate enough to have recently completed an artwork series on rising sea levels and coastal erosion. The series was called Filter and I was able to showcase it there.

The 2021 conference was originally scheduled to be hosted in Hobart, but for obvious reasons that has been postponed to 2022 and this year it will be online. Once again I was fortunate with the theme as I was just completing a new series of work on the human impact on marine environments when submissions to exhibit were requested.

I am looking forward to a few intensive days of listening in and watching sessions and discussion online. Within the conference portal (fee required) delegates can access a specific exhibition space where up to 10 artists from around the world will showcase their artworks and engage via live video chat individually or in small groups.

There are also a number of social sessions in the conference program called Coffee and Cocktails as the timezone you are will determine what is in your tumbler. This is the first time I have formally participated in showing my work online in a live format is I am sure I will learn a lot and no doubt it will be valuable experience for years to come.

The core works I am showing for COCE2021 are the six photographs above and my short moving image work ‘The Ocean was harmed during the making of this film’ (2m16s). These are a selection of works from my solo exhibition ‘Uprising’ that was launched in February 2021.

Best viewed in full screen mode with sound. 2 minutes and 16 seconds.

Re-Mediating the Wild Cover image credit as displayed on homepage.
Photo illustration by Mark Meisner. Original photos by SONY and Diorit are licensed under Creative Commons.

Sea of People

Here is a preview of a new moving image work installed in the Wash House as part of the Uprising exhibition. Sea of People.

Not only has it been a surprise piece for those that have seen it is was also a surprise for me as it was developed very late in the project and was a considerable step away from the traditional series of photographic prints I had originally conceived.

I have had more questions about how this particular work was made then I have had about the photographs of objects mysteriously suspended in the ocean.

I won’t give away much more now until I will post some footage, if not the whole film. 4m 30sec.

The heritage qualities of the building limit what can be done in the space however it works well to host a simple rustic installation with a louder soundtrack away from the main exhibit.

Gary the Garfish

Gary the Garfish, 2021, Digital vinyl print, 83x84cm.

At the launch of Uprising on Saturday 6 Feb there was such a warm response to this image I felt compelled to share it here along with the back story.

I met Gary at Fannie Bay, Darwin in August 2020. With the guidance and equipment on loan from my mentor Che Chorley, I took my first photographs in the ocean with a professional camera and housing.

It was calm and quiet. We had the beach and water to ourselves mid-afternoon, except one visual blemish. A small dark shape that hovered near the surface in any direction that I pointed the camera. I gave in trying to deceive Gary and chose to photograph the photo-bomber instead.

When you visit Sauerbier House to see the Uprising exhibition you can get up close to Gary adorning a window in the gallery.

Uprising-exhibition-Eastern-Wall featuring Gary the Garfish
Uprising-exhibition-eastern-wall featuring Gary the Garfish

Park Lands Art Prize

I had a great opening night out at the QBE Galleries adjacent to the Adelaide Festival Theatre on Friday 19 March ahead of the public opening on the 20th.

Very surprised to win a Judge’s Commendation that was presented with a certificate and a $1500 cash prize for my work ‘Do not disturb #1’.

This will be one to remember as the exhibition was due to launch pre-COVID Feb 2020 and I had to keep this work made especially for this competition under wraps for a long time.

But eventually the work I had printed and framed July 2019 was finally hanging on a well lit wall in a busy public space.

You can browse all of the Winners of the 2020 Adelaide Park Lands Art Prize.

Venue: Adelaide Festival Centre, QBE Galleries and Festival Theatre Foyer.

Exhibition open Saturday 20 March 11am to 4pm, then Monday to Friday 9-5 (plus during performance times) until Saturday 8 May.

Vote in the People’s Choice Award

Event website