Port Noarlunga, Sat 23 November 2019.
An Anthropocene Art Trail has been installed in conjunction with the R & M McGivern Prize at ArtSpace at Realm and Maroondah Federation Estate Gallery.
Six individual signal box artworks that respond to the theme ‘Anthropocene’ and are inspired by issues surrounding the environment, sustainability and climate change can be visited from 23 November 2019 to 1 February 2020.
I will be doing an artist talk on-site between 12pm and 1pm on Saturday 7 December. Come along for a chat and to also hear from two other artists, Vandal Hype and Carla Gottgens. Bookings and walking trail map links below.
The box I designed features objects I created and photographed for the ‘Unleashing Hell’ series. I also chose to include a newer work. ‘Hairific’ from the 2018 Filter series (visible in E-newsletter image above).
I will post some additional photographs in the week after the artist talk. Thanks now to Maroondah City Council for the preview images above.
More about the Unleashing Hell series.
I am very happy that my photograph is a Finalist in the Adelaide Hills Landscape Arts Prize 2019.
I am looking forward to seeing the exhibition of all 40 or so Finalists in a variety of medium at the Opening Event Dec 1st at the Hahndorf Academy in the Adelaide Hills.
South Australian artists were invited to interpret their experience of the Adelaide Hills in ways that highlights and captures their awareness of its dynamic and diverse environment and landscape – natural, rural or urban – and its ever-changing seasons.
‘Sail right through me’ was taken in winter 2019 back where I grew up on the outskirts of Lobethal. In brief I was reminiscing on the still of night that was interrupted by cars. 40cmx60cm C-print on silver halide paper.
This Arts Prize was only launched in 2017 and is presented in alternate years to the biennial Heysen Prize for Landscape at the same venue. More details at the Hahndorf Academy website.
A small archive of images and text from the Filter exhibition.
Diverse photographic methods combine to reflect the past, present and future of our changing coastal environment.
We often hear a lot of small numbers in relation to climate change.
One degree temperature rise. One centimetre sea level rise.
No cause for alarm surely? Seemingly so small,
but how does this translate to our own backyard?
During this residency I learnt a little more about what these numbers mean and the projections for the future.
My art practice explores ways to bring an Australian perspective to the discussion on climate change. Far removed from the visuals of icebergs and polar bears, the beach is ingrained into Australian culture. These works signal the relationship between a global phenomenon and the host of our recreational or lifestyle desires.
My time as an artist in residence at Sauerbier House provided an opportunity to experiment with photography and its capacity to convey ideas about the challenges ahead. For example, studio photography can heighten our connection to objects while long exposure and abstract works encourage contemplation and wide ranging interpretations.
Works were created in response to information on climate change impacts sourced from specialist reports and experts on coastal management. Just as important were the hours, either during the day or under a full moon, experiencing the coastline in all weather conditions.
Sea levels rise with the melting of the ice caps. Warming oceans add to that rise through thermal expansion. This is a given for many people. Are we willing to see our idyllic beaches and coastal environment become a memory, rather than an experience accessible to future generations?
A selection of images exhibited.
The Dark Room
In addition to the work exhibited in the Hallway Gallery the small red brick Washhouse in the grounds of Sauerbier House was used for an installation.
Visitors to Sauerbier House during the residency were invited to consider climate change and write their thoughts anonymously about their brightest hopes and darkest fears. A thermal imaging camera was used to create portraits in collaboration with local volunteers.
Visitors to the exhibition of the 5 weeks were also invited to make their anonymous contributions and these will collated and examined to influence a future work.
Interviews with Radio Adelaide and ABC Radio Adelaide about the exhibition can be found here.
Arts South Australia, the City of Onkaparinga and the Helpmann Academy.
Special thanks to
The City of Onkaparinga and their Sauerbier House Artist in residence program.
Jaynie Langford and all of the wonderful volunteers. Nina Keath and the Sustainability Team.
Suntrix Solar for the loan of the Thermal Imaging Camera and the volunteers who donated their time for portraits and those who contributed their darkest fears and brightest hopes.
Since 2015 the Human Impacts Institute in New York has hosted an annual series of events that showcase artists creating climate inspired performances, installations and exhibits.
In 2019 I will be exhibiting 2 works in the month long group show in Manhattan.
On Wednesday 6 November the Opening Event will feature multiple performances by participating artists as well as the Awards presentation. You won’t want to miss this kick-off event full of inspiring and innovative ways to address climate change from artists all over the world.
The 2019 Creative Climate Awards run from November 6th to December 4th weekdays 9am to 5pm at the
Taipei Economic and Cultural Office
1 East 42nd Street
New York, NY 10017
Congratulations to all of the other artists and, although I will not be able to attend, I look forward to following the unveiling of the wide variety of work throughout the exhibition.
The last day of the weeklong Conference on Communication and Environment (COCE) in Vancouver was for excursions.
I participated in the visit to the Vancouver Maritime Museum to have a special tour of the Making Waves: The Story and Legacy of Greenpeace Exhibit.
The added bonus was we were hosted by the curator of the exhibition as well as two seasoned campaign and communications experts with Greenpeace International.
It was inspiring to see how the organisation had grown from the early days of making and selling pins to fund campaigns to the reach they now have internationally.
Although not part of the Greenpeace exhibit, one image above was taken while on the deck of the St. Roch. It was the first vessel to sail the Northwest Passage from west to east (1940-1942), the first to complete the passage in one season (1944), and the first to circumnavigate North America.
On the deck were COCE delegates from Canada, USA and Estonia (and Australia holding the smartphone) with Jess and Soenke from Greenpeace International.
While in Los Angeles, after the conference in Vancouver, I had a full day planned for a special trip to Catalina Island, just off the coast of LA.
I was the guest of the University of Southern California Wrigley Marine Science Centre. I planned the visit over many months and was fortunate to have the Director, Kenneth Nealson available to escort me and give me a tour of the facility and the diverse initiatives.
About a 90min journey on the Miss Christi took as from San Pedro to the campus near Two Harbors. The arid conditions there have prompted a number of sustainability initiatives looking at water conservation and food waste management alongside the more ambitious Kelp Biofuel project.
I was pleasantly surprised at the wholistic approach to sustainability across the operation of the Centre and was pleased to hear of the large numbers of young people that engage with their programs every year.
Have a look at the links above to read more about the Centre.
The images in the gallery above a mixture taken either on a smartphone or using a toy camera with medium format film (lomography). The red flares are the result of unexpected light exposure to the film.
After COCE in Vancouver I planned a visit to LACMA (Los Angeles County Museum of Art) to have a close look at a selection of photographic Artists.
In the LACMA Study Centre for Photography and Works on Paper I had the privilege of having a very close look at works not on display by artists such as Ansel Adams, Ruth Bernhard, Paul Caponigro and Alan Delaney.
Two of my works from the Filter exhibition are on display this winter in Sydney.
Oversized prints of ‘Circa 2030’ and ‘We are moving’ are hanging in the Paddington Library, 247 Oxford St, Sydney.
They will be up from June through to the end of August. Check their opening hours to plan a visit 7 days a week.
Very exciting news to share that my showcase of 8 artworks, Fire and Flood, at the 15th Biennial Conference on Communication and Environment was very well received.
Fire and Flood was selected to win the inaugural Outstanding Art Award by delegates from over 20 countries for the work that they felt best exemplified environmental communication in the arts.
Thank you to the hosts, the International Environmental Communication Association and special thanks to Arts South Australia for the funding support to help make this possible.
I am very happy to share the news that I will be showcasing recent work in Vancouver in June 2019.
The title of the showcase, Fire & Flood, seems very relevant now given what people across Australia are experiencing at the moment.
However it was back in November 2018 I put together the proposal that combined works from my Unleashing Hell (bushfires) series with works from the recent Filter exhibition (rising sea levels).
Acronym alert. IECA and COCE2019 at UBC. The event is the 15th Biennial Conference on Communication and Environment (COCE) presented by the International Environmental Communication Association at the University of British Columbia, Vancouver campus.
The conference will bring together scholars, practitioners, artists, students and concerned citizens from around the world to share research, good practices, experience, and stories in order to help foster more effective, inspiring, ethical, and hopeful environmental and sustainability communication.https://theieca.org/conference/coce-2019-vancouver
Those from Adelaide, and elsewhere of course, may be familiar with Ackroyd & Harvey who installed the series of large living portraits at Womadelaide 2018. They were Keynote Speakers at COCE 2015 in Bolder, Colorado.
Over twenty countries will be represented at the event. I have seen the draft conference program (19 pages, no line breaks), but it will not be made public for a couple of months.
I will share more news on this as it becomes available. And fingers crossed for the arts grant applications I have been writing day and night lately.
In this issue there are a variety of articles written about artists creating work in South Australia across a variety of art forms with the environment being a central theme.
One article, The Artist as Environmental Change Agent, has a references to my recent work from the Filter exhibition.
Good weekend reading.
The Artist as Environmental Change Agent by Chris Reid. Go to story.
Fine print magazine, Issue 17: Climates. All stories.
Venture into the Guildhouse office in the West End to see a small selection of my photography on display now until Feb 1st.
Three works are from the recent Filter exhibition and others have been exhibited previously in the 2018 Adelaide Park Lands Art Prize and the 2016 SALA Festival.
More details on the Guildhouse website.
Lion Arts Centre
Cnr North Terrace & Morphett St
9.30am to 5pm, Mon-Fri
NB. Don’t be afraid. The office image above is not of the Guildhouse office, but an image I took of the now demolished Her Majesty’s Theatre. The Theatre Manager’s office backstage.
The 2018 Creative Climate Awards presented by the Human Impacts Institute have come to a close for another year.
36 International artists were exhibited over several floors of the Taipei Economic and Cultural Office in New York from 17 September to 12 October, 2018. I was really happy to be a part of it even though I was unable to travel from Australia.
You can still browse the work exhibited at Human Impacts Institute webpage.
Works were for sale to contribute to the operations of the Institute and I am pleased to report that my work, How did it come to this?, was purchased and I have donated 100% of the sale price to them.
The winner of the 2018 Creative Climate Award was Tatana Kellner with her work Poisoned Well. Images and details of this work on her webpage.
A selection of images above are from the Opening night and are reproduced courtesy of The Human Impacts Institute.
Two radio interviews about the Filter exhibition are available to listen to online.
An additional interview with Nina Keath provides background to Resilient South and Council involvement in supporting the art and climate change focus.
Barry Mitchell interviewing Neville Cichon about the Filter exhibition. Go to Barometer page (6 minutes).
Barry Mitchell interviewing Nina Keath about Resilient South and southern climate change challenges. Go to Barometer page (13 minutes).
Peter Goers interviewing Neville Cichon about how you take a picture of climate change and why he needed to take a torch to see the Diane Arbus exhibition. Jump to late in the program. Start at 2h 42m 20s. Go to ABC page (12 minutes).
If you are not able to see the 2018 Creative Climate Awards in New York in person, the Human Impacts Institute have now posted all artists works online.
I am very happy to see that my work has sold with 100% of proceeds going to the Human Impacts Institute to support their future initiatives.
Have a look at their web page to see work by the 36 international artists featured in the exhibition. Go to website.
The exhibition runs until 12 October, 2018 at the Taipei Economic and Cultural Office, 1 E 42nd St, NY, NY.